Cobalt under glaze — brushed blue-and-white porcelain painting.
Swatch shows the same line — Signal over noise — rendered in this material, so the surface is the only variable.
SURFACE: A hand-painted porcelain surface, photographed close so the glaze itself is the material. Cobalt blue applied with a brush UNDER a clear glaze - outline strokes (勾线) with visible brush entry and lift, filled by 分水 tonal washes in three or four distinct depths of blue, with soft feathering where the pigment spread into the wet body. Authentic kiln evidence must be present - glaze pooling darker in the recesses, faint orange-peel glaze texture, a few iron-spot flecks (铁锈斑) where the cobalt burned through, one or two hairline crackle lines, and a slightly uneven glaze edge near the foot. The white is warm porcelain white, never paper white; the blue ranges from pale grey-blue to deep sapphire. Gentle raking light so the glaze shows a wet, glassy depth and the vessel's curvature is felt. SKELETON: auto by page role (cover / chapter / list / compare) DEVICE: the page's argument drawn as a form native to this material END: Full-bleed 16:9 — render DEVICE on the SURFACE, per the page's composition. CRITICAL: title in clean legible English; NEVER invent extra words or non-English glyphs; annotations only as marks / numbers / dimension lines; no UI, no cards, no captions.
Material recipe from the PPT-Zen 32-material library. Our own artwork.
License: CC-BY-4.0 · contributions via DCO